Still another force which shape radio comedy was censorship.
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When Eddie Cantor appeared on The Rudy Vallee Show on April 23, 1936, he performed a strongly isolationist song, "If They Feel Like a War, Let Them Keep It Over There in which, to the applause of the audience, he sang: If they feel like.We return it after the loan is paid.Jack Benny, the most popular comedian in the history of radio, well understood the necessity of being funny and uncomplicated.During the season Allen's censorship argument with NBC reached its peak, as the comedian integrated into his script disparaging quips about network executives.Such comedy deflated the ego and good-naturedly exposed the futility and the stupidity of taking oneself too seriously.
The innocence of children was satirized in Red Skelton's impish character Junior, "the mean widdle kid; in Sis, the rude little girl who lived next door to Fibber McGee and Molly; in Tommy Riggs' own vocal creation, the mischievous seven-year-old, gratis spelen casino slots euro Betty Lou; and especially.When the Puritans landed there were no houses, and we're carrying on that great tradition." Morgan handled congressmen rudely, as he did when he mused over the notion of fining a congressman to insure attendance at meetings: "Do you realize that would keep him.The experience of World War II only increased the pressure against racial humor.This was especially true of comedians such as Bob Hope, Red Skelton, and Henry Morgan.A simple, common audience responded best to simple comedic material.President which it thought disrespectful to the Chief Executive.Aren't you ever stopped by the OPA?Religious gokkast online gratis yahtzee organizations, especially the Roman Catholic Church, attacked it as immoral and sacrilegious.All children are welcome!The basis for the popularity of comedy on the air was twofold: the result of the exciting and humorous personalities of the comedians, and the therapeutic attractiveness of laughter.
While the leisurely pace.